Sir Gawain And The Green Knight, And The Heros Journey

An archetypal analysis of Gawain’s quest reveals some significant changes that occur in the hero’s character. We will analyze the progress of the hero, Gawain, as he ventures out to complete his quest. By analyzing the works of Sir Gawain and the Green Knight along with The Hero With A Thousand Faces, and how it completes the Hero’s Journey. The departure commences with the protagonists call to adventure and ends with the crossing of the threshold. In the case of Sir Gawain and the Green Knight, the Green Knight encounters the knights of the round table, thus â€Å"the crisis of his appearance is the ‘call to adventure’† (Campbell 56). After the arrival of the Green Knight, he proposes a challenge towards the knights for â€Å"...thy city is lifted†¦show more content†¦The road of trials, where â€Å"...the hero moves in a dream landscape†¦Ã¢â‚¬  (Campbell 81), initiates once Sir Gawain experiences the three temptations brought forward by the Lady of the Castle . Gawain refuses the first two temptations, but ultimately gives in on the third one after the lady states that â€Å"...there is no man under heaven can overcome him, for he may not be slain for any magic on earth† (Weston 32) if he wears the silk. In this case, the Lady of the Castle could be regarded as the Meeting w ith the Goddess for Sir Gawain is tested by her three temptations. Again, the Woman of the Temptress is the Lady of the Castle, for she attempts to convince Sir Gawain by visiting his dwelling and offering the three temptations as mentioned before in an attempt to dampen his purity, loyalty, and honorability of being a knight. The Atonement of the Father consists of when Sir Gawain gifts the Lord of the Castle kisses and fulfills his promise that he gave to the Green Knight, thus heading off to finish his quest. Sir Gawain encounters the Green Knight and doesn’t get his head chopped off, but is personally defeated for he ultimately gave into one of the temptations that was proposed to corrupt him. Previously, his ultimate boon was the silk sash that the Lady of the Castle gifted him, but it failed to protect him and resulted in his dishonesty towards the Green Knight, leading for him to receive an unhealable wound on hisShow MoreRelatedTheme Of Archetypes In Sir Gawain And Th e Green Knight864 Words   |  4 PagesCampbell’s book goes the extra mile describing/explaining how Archetypes come into action throughout the journey of the hero detailing how â€Å"The archetypes to be discovered and assimilated are precisely those that have inspired, throughout the annals of human culture, the basic images of ritual, mythology, and vision†(Campbell 41). One story, in particular a poem, arises in Sir Gawain and the Green Knight. The poem dramatically demonstrates how a single character can set out to fulfill one quest to uncoverRead MoreSir Gawain And The Green Knight1514 Words   |  7 PagesSir Gawain and the Green Knight is an epic poem written in the mid to late fourteenth century by an unknown author. Throughout the tale, Sir Gawain, a Knight at the Round Table in Camelot, is presented with many hardships, the first being a challenge on Christmas by a man in which, â€Å"Everything about him was an elegant green† (161). This â€Å"Gre en Knight† challenged someone in Camelot to accept his game which they will chop off his head with his axe and the Green Knight will do the same to the playerRead MoreLiterary Analysis Of Sir Gawain And The Green Knight1200 Words   |  5 Pageswriting, cultural values of certain time periods have been expressed and implemented through the depiction of the heroes’ experiences on their journeys and the knowledge they gain by the quest’s end. For example, in Sir Gawain and the Green Knight, a chivalric romance written in the Late Middle Ages, Gawain epitomizes a knight with the characteristics that knights from the Late Middle Ages were expected to possess according to the requirements outlined in the rules of chivalry, such as honor and valorRead MoreHeroism In Antigone And Sir Gawain And The Green Knight917 Words   |  4 Pagesothers tend look up to them because of their heroism. In Antigone and Sir Gawain and the Green Knight, there are multiple characters th at embody the characteristics of a hero. Antigone is a Greek writing that exemplifies what it means to stand for what you believe in as well as having a tragic downfall due to ones own fault. Sir Gawain and the Green Knight is a Middle English work that precisely goes through the Hero’s Journey. The two characters in Antigone that demonstrate their heroism is AntigoneRead MoreArchetypal Characters In Sir Gawain And The Green Knight : Character Analysis1143 Words   |  5 Pagesmiddle ages of literature, a story such as Sir Gawain and the Green Knight had many aspects of Joseph Campbell’s view of the hero’s journey. In the story of our character Sir Gawain accepts a â€Å"Call to adventure† (Campbell 45) and goes on a quest that will go through many of the archetypes. Likewise, there lies one character, The Green Knight, that can be many of the archetypal characters in the cycle of the hero’s journey. Sir Gawain and the Green Knight dramatically de monstrates how a single characterRead MoreArchetypal Conflicts In Sir Gawain And The Green Knight785 Words   |  4 Pageswhat common patterns are found when following along with the hero’s journey. In Sir Gawain and the Green Knight, readers follow Gawain on his quest to redeem the honor of his community. A number of archetypal situations occur to Sir Gawain and serve to promote Gawain’s conflicts, character, and theme development. Throughout Sir Gawain and the Green Knight, many conflicts rise to the surface as the medieval story, portraying a prideful knight and his encounter with a foe, carries on. The main conflictRead MoreAnalysis of Sir Gawain and the Green Knight and Beowulf955 Words   |  4 Pages According to Sir Gawain and Beowulf heroic adventures, Sir Gawain has to leave his place by himself to meet the Green Knight and takes a risk on his own way as same as Beowulf who went out from his palace to beat the dragon by himself. However, their calls to the adventures contrast Sir Gawain and Beowulf heroic stories. The first decision is the most significant part of the heroic story that the protagonist has to choose either go out following the call or step away. Expectedly, every protagonistRead More Sir Gawain and the Green Knight Essay1153 Words   |  5 PagesSir Gawain and the Green Knight Sir Gawain and the Green Knight, written by an anonymous fourteenth-century poet in Northern dialect, combines two plots: the beheading contest, in which two parties agree to an exchange of the blows with a sword or ax, and the temptation, an attempted seduction of the hero by a lady (Norton p.200). The Green Knight, depicted as a green giant with supernatural powers, disrespectfully rides into King Arthurs court and challengesRead MoreArchetypes In Sir Gawain And The Green Knight1100 Words   |  5 Pagestrend in the poem Sir Gawain and the Green Knight. Despite common belief, though, other elements of a story allow for analyzation as well. In fact, a number of archetypal situations, characters, colors, and symbols appear in Sir Gawain and the Green Knight that serve to promote Gawain’s moral development. Unfortunately, Joseph Campbell fails to discuss the significance that colors play in a story, but the colors (specifically green, red and gold) in Sir Gawain and the Green Knight play a very significantRead MoreGilgamesh, Beowulf As A Literary Hero1343 Words   |  6 Pagestenacity to push forward through adversity to undergo a journey of self-discovery, during which the figure may encounter his or her tragic flaw which the individual comes to terms with through exhaustive emotional and physical tribulation. Such heroes, as Bloom describes them, are archetypes of social order and justice who live and die by the tenets of the people. In these ways and others, Sir Gawain of the Arthurian Legend â€Å"Sir Gawain and the Green Knight† embodies the classical depiction of a literary

The Old Man and the Sea by Ernest Hemingway Essay - 983 Words

The Old Man and the Sea There is a scene in Ernest Hemingway’s The Old Man and the Sea, when after a shark has taken a big chunk about forty pounds off Santiago prize marlin catch, Santiago begin to doubt whether he should have gone out to sea and wishes that he had never hooked the fish and was alone in bed with his newspaper (103). Immediately after the Santiago says, â€Å"But man is not made for defeat a man can be destroyed but not defeated† (103). The life of Ernest Hemingway intertwines to the novel The Old Man in the Sea in many different ways. For example late in Hemingway’s life he didn’t have the money to really live on his own so he ended up moving to Cuba like Santiago and buying a little shack he could stay in, Hemingway felt†¦show more content†¦He makes careful preparation for each outing on his boat and is away prepared when he makes a catch. He is tune with natural environment, watching the weather, the currents birds, and fish to help him know the beat spot for fishing. He wisely drops his bait at different depths, hoping to land catch with variety. During his career, Santiago has caught many trophy fish. Some of them were weighing over one thousand pounds. Before the giant marlin however, he has always had someone on the boat to help him to keep his company but this was fist time going out alone in a long time. The Old Man and the Sea aren’t just a book about and old man and the sea. There are many hidden meanings to it. Each element represents different things. The Marlin, for example represents strength, beauty and the last challenge we all go though. The lion in his dream resemble youth, freedom, and also strength. Santiago, the old man, symbolizes Christ in many ways other people and things symbolize different things like the young boy, named Manolin, the young boy that followed Santiago was not fishing with the old man because his parents forced him to actually he was told to stay away the old man because he was bad, luck but because he wanted too. He liked to be around the old man and listen to what he had to stay. When the old man would look at Manolin he would he would see himself at a younger age, someone who cared more about the elderly. Manolin wanted good things for Santiago he did not wantShow MoreRelatedThe Old Man And The Sea By Ernest Hemingway1599 Words   |  7 P agesNew York, NY USA 10027 Dear Pulitzer Prize Judging Board: The Old Man and the Sea by American author, Ernest Hemingway deserved the Pulitzer Prize it received because of the author s use of craft elements, the realness of all of the characters and events, and the lasting themes that are relevant to the year it was written that were created by this realness, which in turn created a legacy. The first reason The Old Man and the Sea deserved its Pulitzer Prize is because of the author’s use of craftRead MoreThe Old Man And The Sea By Ernest Hemingway1744 Words   |  7 Pagesâ€Å"The Old Man and The Sea† by Ernest Hemingway is a story about an old man named Santiago who has to overcome many obstacles in his time at sea and in life (Hemingway). Despite being a fisherman, Santiago has not caught fish in 84 days and is faced by numerous dilemmas and shortcomings as things seem to always go wrong for him (Hemingway). This paper provides an analysis of the novel by interpreting it as a secular humanist epic. This paper hypothesizes that the character of Santiago is guided byRead MoreThe Old Man and the Sea by Ernest Hemingway1734 Words   |  7 Pages Ernest Hemingway was a man among men. He painted his life through written words. In his life Hemingway experienced events that would change him and shape the man that he was. Hemingway wrote about his time he spe nt in World War I in his first novel, The Sun Also Rises, and in his last novel, The Old Man and the Sea, he writes about his fishing exploits, both of which Hemingway experienced himself. By comparing these two works that he has written, a reader can perceive his linguistic style and theRead MoreThe Old Man And The Sea By Ernest Hemingway1952 Words   |  8 Pagesinternal conflicts; there are many internal and external conflicts in the novella. One of the main conflicts is that Santiago couldn’t catch the marlin. This is resolved by Santiago eventually catching the fish three days after he returned back to sea after he had an eighty four day unsuccessful streak; this solution is believable because he was determined to catch the fish which he did. A secondary conflict in this novella was that Santiago began to talk to himself because Manolin is no longer withRead MoreThe Old Man And The Sea By Ernest Hemingway2056 Words   |  9 Pagesâ€Å"The Old Man and The Sea† by Ernest Hemingway Plot Summary: â€Å"The Old Man and The Sea† relates the difficult life of an old Cuban fisherman that struggles in his profession for a long period of time until he catches the biggest fish in his life. The story begins presenting readers the fact that Santiago, the old fisherman, has been eighty-four days without catching a fish. This uncomfortable situation leads Manolin, a teenager who works with Santiago, to leave him under his father’s command.Read MoreThe Old Man and the Sea by Ernest Hemingway Essay589 Words   |  3 PagesThe Old Man and the Sea by Ernest Hemingway After reading this novel, The Old Man and the Sea, by Ernest Hemingway, I was confused about something the old man kept repeating. During the course of the book, the old man, Santiago, refers to having gone out to far to catch the fish. To me, this sounds as though he is making excuses for himself as to why he could not bring the fish in. On the other hand, he may have realized that he should not have gone out so far because it was not worth it forRead MoreAn Old Fisherman in The Old Man and the Sea by Ernest Hemingway939 Words   |  4 Pages On July 21, 1899, Ernest Hemingway was born to Grace Hall-Hemingway and Clarence Edmonds Hemingway in Oak Park, Illinois. He started off his writing career in high school, when he was writing sports articles for the high school newspaper. From there, he moved on to writing for the Kansas City Star, where he learned to write in his unique short sentences, declarative, writing style. From journalism, Hemingway moved on to the military life an d met a nurse in Milan that was his inspiration for â€Å"ARead MoreErnest Hemingway s A Old Man And The Sea1588 Words   |  7 PagesErnest Hemingway, an Intense Macho Bullfighting Woodsman of an author, If you met him in person you would not beleive him when he told you he s an author. However Ernest Hemingway is a very accomplished author, well known as the Chronicler of the lost generation, and for his Pulitzer Prize winning Old Man and the Sea. Hemingway also was known for his collection of short stories, like In Another Country and The Snows of Kilimanjaro, as with many of his stories these two are set in 2 places he hasRead MoreErnest Hemingway s The Old Man And The Sea942 Words   |  4 PagesSome believe to live is to endure, and in Ernest Hemingway s The Old Man and the Sea This idea is explored in a simplistic style of writing called Iceberg Theory, a style unique to Hemingway. In this powerful, yet simple novel Ernest Hemingway eloquently portrays the hardships of the average man. Old Man and the Sea is based on an old man named Santiago and his battle with a giant Marlin in the middle of the sea. The old man s experience with the marlin is one of misfortune, pride, and accomplishmentRead MoreRelationship Between The Old Man And The Sea And Ernest Hemingway1075 Words   |  5 Pagesthe author of The Old Man and The Sea, Ernest Hemingway. Gertrude, an American novelist, poet, playwright and art collector, served as a mentor for Ernest. The novelist also served as a godmother to Ernest along with her companion, Alice B. Toklas. Ernest Hemingway used his experience with Gertrude in his 1952 book, The Old Man and The Sea. Santiago and Manolin share a relationship similar to Ernest Hemingway and Gertrude Stein. Throughout The Old Man and The Sea, Ernest Hemingway provides many details

Daniel Defoe Free Essays

Author- The author is Daniel Defoe. (c. 1661-1731) Defoe was very into politics and writing. We will write a custom essay sample on Daniel Defoe or any similar topic only for you Order Now He was not afraid to write down his opinion and he wrote a lot. He was in prison from 1704-1713. At some point in his life he wanted to be a dissenting minister but he went into business instead. Place and Time- It was written in England in 1719. In his time women were forbidden to receive the higher education that men were able to obtain. Prior Knowledge- I know that his view on women is distorted based on how he describes them all as a whole when in reality it is too complex to put into generalities. Audience- His audience was the general population. He was trying to promote the idea that women should be educated. Reason- I think this piece was just him writing down his opinion based on his own observations but its debatable. The main idea- The main idea centers on the opinion that women are superior to men and they deserve the opportunity to get the same education that men can get. Although his opinion of women seems a bit extreme the idea that they should be considered equal to men remains true to this day. Significance- Its very important to understand that Defoe was not afraid to write down what he believed and that during his time period women did not have the same rights as men. Defoe was writing something that probably came off as radical to most people of his time. This document is extremely important in the context of history because it is an early record of someone who believed that women were not just equal but superior to men and deserved the opportunities that men had. This idea and way of thinking is what got us to the level of acceptance (although still not perfect) of all race and genders that we have today. How to cite Daniel Defoe, Papers Daniel Defoe Free Essays Gallery’s Barbarians The alma of Susan Van Canteen Gallagher article, â€Å"Torture and the Novel: J. M. Cotter’s ‘Walling for the Barbarians'† Is to untangle further what the book Walling for the Barbarians is saying about the human psyche and how the novel analyzes imperialism. We will write a custom essay sample on Daniel Defoe or any similar topic only for you Order Now By finding its fear on the issues about ethics and violence and discovering the bounds of human brutality, Waiting for the Barbarians tests humankind and imperialism in several ways. Offering a psychoanalytic debate of Waiting for the Barbarians, this reading concentrates on the Influence of fear in unman psyche and Imperialism self-destructive Influence. How far-offer and anxiety can go and how far affiliates of society can follow a blind power Is the mall fear of this essay. As Cotter’s Waiting for the Barbarians is a figurative novel, this essay will try to understand the symbols created in relative to the pressures raised in the novel. The analysis of the accounts raised in the book, may be broken down into the following mall modules. After gang brief evidence about the writer and the book In the overview, the essay will carry on with observing the characters as targets of the Empire, which symbolizes the imperialist system. The first object is the barbarian girl, one in which will be studied in relation to her individualism as an outsider and as an enemy of the Empire. The Magistrate as the second victim and his self-journey will be perceived in relative to his calculation to come to be the other. Then in the next section, the Empire as the prey of itself and its self-destructive power will be recognized. At the conclusion, the knack to challenge Issues will be discussed. J_M_ Cottage Is a South African writer born In Cape Town In 1940. In relative to the writers experience, it is important to note that, this essay takes in thought Cotter’s objection against imperialism and makes an examination of Waiting for the Barbarians depending on his defiance towards it. I think in his novel Cottage disapproves of the imaginary unknown Empire and by doing this actually he takes away from Imperialist systems. Waiting for the Barbarians Is a novel about the impression of the torture chamber on the life of a man of principles. The man of principles Is the main hero of the novel who Is an elderly Magistrate living In a two order township which is remote from other words, of an indeterminate Empire. He has accountability and authority of keeping the outpost for the provision of the Empire but then loses his authority when the Empire sent armed forces to defend the town from the barbarians. The protagonist disputes the unjust conduct of the barbarians even though the Empire perceives them as a hazardous tribe getting ready to attack the base and clash against the Empire. When he returns an arrested barbarian woman, he expresses sympathy and cares to her people, but is blamed for reason and imprisoned like the barbarians. He becomes the subject of cruelty, shame and suffering. What is stimulating in the novel is that, the leading protagonist, at the end of his story, also turns out to be the other likewise the barbarian girl he cherished and aided In the beginning of his story. The Magistrate questions the power of the Empire’s in which by this action, his process of otherness begins. To unite the girl with her tribe he reaches a decision to make an excursion and pass through the remote desert to the barbarians which is thought to attack the outpost. Through the journey in the desert his limits to the Empire comes loose and when he enters the realm of the other lots of things change in his mind. Similar to this subconsciously hard Journey, he also concludes a complex psychological Journey of unraveling himself from the Empire and from its ethical understanding. After his return, his otherness is completed while he is now viewed as a traitor and he is look upon as guilt-ridden as the barbarians without any doubts since the other is always the guilty one. The Magistrate is essentially comfortable with his arrest while his otherness plaits his destiny and responsibility to the Empire and as the other and as the focus of torture and humiliation, the purification of his soul starts which he longs for. The Magistrate not once closes his eyes to the ferocity the Empire is expressing on the barbarians like the other members of the society. Although he knows that he will receive misfortune, he never acts as if he is assisting the act of torture. Therefore because of his ethics, he is corrected to be the other in his society. Nobody but the Magistrate is sore to the violence exemplified by the man of the Empire, Colonel Joel, UT Magistrate makes his ethical standpoint. As a consequence it can be said that, the system drives every character, individual and idea different than its prejudice, to its limits and penalizes every struggle to its self. Even if the struggle is against violence. I think by displaying how a group of people, with the authority to put fear in people’s souls, can direct what is right and wrong, Cottage critiques the submissive and sightless members of the civilization. In the novel, how people can Just go with the crowd without even thinking once, is demonstrated very clearly. Even though people of the town knew for years that the barbarians were kind and mild people and even though Just like the Magistrate they know that truly they would not attack the town while it is not their style, they all watched the viciousness of the Empire’s army embodying on them. More amazingly, although the crowd appreciated and liked the Magistrate when he was in the power and although he is one of them, they overlooked the agony he experienced. Furthermore they watch his suffering; the hanging, like observing a theatrical performance. Moreover they laugh. This clearly wows that fear from the other, results in carelessness and blindness. The novel in fact portrays the psychological self-journey of a man. His mind is like the antiquity of the town. The Magistrate’s pastime is to excavate the skeletons of ancient houses and remains. He tries to comprehend the characters on wooden slips he found. Throughout the book, the pre-symbolic figures are always a mystery for him the same way his unconscious state of mind is a mystery. I think his diggings and findings of some ancient origins which he does not understand their meanings of, is symbol of self-discovery through his own past and mind. The ancient civilized society can signify his unconsciousness and the external; yet the reality he is living can symbolize his consciousness. Similarly, in the old characters, he believes he finds some hints about himself in his dreams. The olden writings are not available to his conscious as well as his unconscious. Through his dreams and his relationship with the barbarian girl. The Magistrate attempts to track the altered and tortured figure of the barbarian girl both in his dreams and in his washing ritual. In accord to the Magistrate, the barbarian girl’s body is a script to be deciphered in the same way the characters on the wooden slips he had excavated had been deciphered. Through her body and the ancient script he found, he actually touches on himself and his own longings, uncertainties and suppressed feelings. The matters observed and the pressures raised in Waiting for the Barbarians, cannot be cast off so effortlessly. Throughout this paper, I did my best to focus on how Cottage tests imperialism without even declaring its name through describing the self-journey and the inner self of a man of ethics. I reason that Cotter’s use of torture chamber and his complete account of viciousness, agony and terror is the rebellious side of the book. The effect of terror and viciousness, both portrayed psychically and mentally in the story by the tortured figure of the barbarian girl and the account of the Magistrates mental state. Expressing torture to the narrator of the book is the way, which makes the reader to observe the cruelty of the system. Cottage in reality creates a satirical comment about imperialism at the end of the novel by exposing the Empire’s self-destruction. I would like to end my essay by giving the message that the Magistrate gives to Colonel Joel at the end of the book, in which I believe sums up the books missive which the author is giving to all societies and civilizations. I am saying all societies because in the book the location, the period or values of the Empire and the outpost is not stated. Likewise, excluding Colonel Joel, the characters in the book do not have names. Even the Magistrate, the main protagonist, is without name. He is the Magistrate. I reflect that by not centralizing and not naming the characters, the Empire gives the reader a casual look to recognize with that culture and with the characters of the story more effortlessly. This vagueness styles the book to expose to all kind of imaginings and creates an accessibility to all civilizations. Correspondingly, as Cottage makes the story of fear and distress, he calls on every individual one by one, and therefore calls out to every society and culture. The Magistrate: â€Å"The crime that is latent in us we must inflict on ourselves,† I say. I nod and nod, driving the message at home. â€Å"Not on others, â€Å"l say: I repeat the words, pointing my chest, pointing at his. How to cite Daniel Defoe, Papers

Cinema Of Attraction Past and Present Essay Example For Students

Cinema Of Attraction Past and Present Essay In this essay I will be looking at how cinema used to be an attraction of the time and whether it is still considered an attraction now-a-days. Ill be looking at two articles that relate to this topic, Cinema of Attraction by Tom Gunning and Cinema of Attraction Reloaded by Wanda Strauven. Tom Gunnings Cinema of Attraction follows the idea that cinema becomes more narratively based after 1906/7 and that the idea that Cinema is no longer an attraction. Pre-1906/7 people would normally visit cinemas to see the technology of film rather than go to see a narrative film. Wanda Strauvans Cinema of Attractions Reload looks at the same topics as Tom Gunnings Cinema of Attraction as well as looking at more modern cinema to see if its still an attraction in the eyes of todays audiences. Cinema of Attraction Reloaded also looks at a number of other articles that can relate to the topic of whether cinema is not an attraction of modern times, which include Malte Hageners Programming Attractions and The Hollywood Cobweb: New Laws of Attraction by Dick Tomasovic Before cinemas, audiences would have to visit town halls, cafes or even traveling fairgrounds to see the spectacle of film, many of these early exhibition films didnt follow a narrative but instead allowed the audience to be captivated through the technology and the movement of the picture, Within Cinema of attractions Tom Gunning states that the cinema of attractions directly solicits spectator attention, inciting visual curiosity and supplying pleasure through an exciting spectacle this means that audiences would visit a cinema for the experience of seeing film and new technology rather than seeing it because it was a narrative based film. With the unimportance of narrative film making, showmen who had cinema in their fairground or circus would often re-edit the footage that they had purchased, by doing this, it shows that audience of this time would go to the cinema to see the technology/spectacle of film, showmen would also have offscreen sound effects and even spoken commentary of the film on view adding to the cinema experience. Many of these early films broke the fourth wall by having character look directly at the camera, comedians would give cheeky looks and smile towards the camera, by doing this the audience knows that it is just a film however when narrative based films became increasingly popular, film-makers began to focus on the editing, trying to create a film that was seamless so it would captivate an audience through this method, they also believed that having the character in the film break the fourth wall would ruin the realistic film experience for audiences. After narrative films begin to take over audiences we see that the attraction of cinema starts to fade as people want to see more narrative based films rather then experimental pieces. Post-1906/7 saw film become more narrative based meaning that audiences would no longer visit cinema for the spectacle of the technology but rather for the narratives themselves, this could be seen as the end of cinema of attractions however according to Tom Gunning Cinema of Attractions does not disappear with the dominance of narrative, but rather goes underground, both into certain avant-garde practices and as a component of narrative film, I have to agree with what Gunning has said for the main reason that experimental films are still being made available in cinemas, art galleries and exhibitions that are enjoyed by a selective audience who seeks them out, also as special effects become a part of nearly all films, this can be seen as a new spectacle as it becomes an attraction that brings audiences back to the cinema Cinema of attraction talks about how after 1906/7 cinema begins to focus on narrative based films and the style of editing to attract an audience however I feel this is not the case, in 2009, James Cameron released Avatar which isnt a strong narrative film but instead used 3D technology to become one of the highest grossing films, at the time 3D was the new spectacle that everyone had to see. .uc83ae8a49dc4b4905e944a8e2a1bf0fc , .uc83ae8a49dc4b4905e944a8e2a1bf0fc .postImageUrl , .uc83ae8a49dc4b4905e944a8e2a1bf0fc .centered-text-area { min-height: 80px; position: relative; } .uc83ae8a49dc4b4905e944a8e2a1bf0fc , .uc83ae8a49dc4b4905e944a8e2a1bf0fc:hover , .uc83ae8a49dc4b4905e944a8e2a1bf0fc:visited , .uc83ae8a49dc4b4905e944a8e2a1bf0fc:active { border:0!important; } .uc83ae8a49dc4b4905e944a8e2a1bf0fc .clearfix:after { content: ""; display: table; clear: both; } .uc83ae8a49dc4b4905e944a8e2a1bf0fc { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .uc83ae8a49dc4b4905e944a8e2a1bf0fc:active , .uc83ae8a49dc4b4905e944a8e2a1bf0fc:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .uc83ae8a49dc4b4905e944a8e2a1bf0fc .centered-text-area { width: 100%; position: relative ; } .uc83ae8a49dc4b4905e944a8e2a1bf0fc .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .uc83ae8a49dc4b4905e944a8e2a1bf0fc .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .uc83ae8a49dc4b4905e944a8e2a1bf0fc .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .uc83ae8a49dc4b4905e944a8e2a1bf0fc:hover .ctaButton { background-color: #34495E!important; } .uc83ae8a49dc4b4905e944a8e2a1bf0fc .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .uc83ae8a49dc4b4905e944a8e2a1bf0fc .uc83ae8a49dc4b4905e944a8e2a1bf0fc-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .uc83ae8a49dc4b4905e944a8e2a1bf0fc:after { content: ""; display: block; clear: both; } READ: Movie Overview - Collateral EssayWhat also made this spectacle so popular with audiences was the attention it received from the media praising how good the technology was making the public visit cinemas to look at the technology not the narrative of the film, turning cinema back to an attraction. In conclusion I believe that the idea of cinema of attractions did not end with the popularization of narrative based films after 1906/7 but that it is still an important element in todays cinema experience through new special effects and technologies, such as 3D or IMAX films that captivate audiences which draws them into cinemas